Mahler 2, 3, 4 - IMSLP Forums (2024)

They belong to Mahler. You'll have to ask him.

It is sad that IMSLP does not have those full scores. They are essential for the collection.

On the other hand, I have the full score of the Second Symphony, I'll see what I can do.

The Dover edition is PD, right?

Oh, that'd be wonderful.

Your quote about Bruckner...are there really that many people who agree? This is the first time I'm hearing about distaste for Bruckner.

I got an interesting insight once, from a discussion with an non-musician audience member who couldn't believe that a lot of orchestral musicians echo the sentiments expressed above by perlnerd and allegroamabile. The way he described Bruckner (okay, he was an architect) made me see what people find exceptional in the music -- and it is very architectural. But as I said in another thread, I think he and other concert-goers only hear a Bruckner symphony live every few years or so, so it doesn't tire.

And, as I said in the other thread, I think this is music that can be stunningly effective the first time. So much so, that at one point I was doing a survey. I asked musicians what their favorite Bruckner symphony was. Second question was what the first one they ever played was.

Invariably, the answer was one and the same for both questions. For instance, if I had to choose, I would choose the 9th. But it was also the first one I ever played.

Some people answered the 4th, or others, but it was always the first one they ever played.

goombaruskirusky wrote:Your quote about Bruckner...are there really that many people who agree? This is the first time I'm hearing about distaste for Bruckner.

Yes, his symphonies are all essentially the same. There are no catchy melodies, as with at least one symphony of every other composers' repertoire. Practically all of them begin and end the same. It annoys me to no end, as to why so many people enjoy him. I do admit, I enjoy the third (second?) movement of his 4th symphony, but that's one movement out of 36 total.

Bruckner's harmonies were extremely modern, even compared to some of Wagner's works. This makes him extremely important in the development of 20th Century music. His idea of turning a theme upside-down was way ahead of its time, as well. I can see why Bruckner has detractors, though. More than once I have wanted the climax of the first movement of the Seventh Symphony to explode into B Major, but, alas every time it turns into a folk dance in B Minor. But, for me, that's what makes his music so interesting and fun to listen to.

Also, I agree he might not have as many catchy tunes as Beethoven, Mozart, or Tchaikovsky, but IMO he has more than Mahler.

I'm surprised that IMSLP doesn't have complete Mahler Symphonies...

Couldn't someone just scan their dover score?

Would it be possible to have Mahler's 2nd, 3rd, and 4th Symphonies?

Yes, it would. While I'll be contributing the remaining critical edition scores, they won't be public domain in the US. Anyone is free to upload the Dover reprints, and speaking of...

Couldn't someone just scan their dover score?

Sure they could. Would you like to get the ball rolling on the remaining thousand-odd pages?

dwil9798 wrote:Bruckner's [...] idea of turning a theme upside-down was way ahead of its time, [...]

Bruckner invented inversion?